Linda's |
Gail's |
After drawing the shape centered onto frosted Mylar, we cut it out completely and stenciled it onto strips of Stonehenge printmaking paper. The Mylar was the height of the paper strip and half of the width. We had room for two images per paper strip. After using gesso to stencil onto the strips we painted over the stenciled images with acrylic inks.
When cutting out the paper image for the pivoting panel, however, we needed to leave uncut about 1/4" - 1/2" or 6 mm - 1.3 cm verticals top and bottom (along the fold). The panels are on the mountain folds, which are the first folds in the book. Fold the paper strip in half and the valley fold is between them.
With other shapes, we found it helpful to think of earthquakes: tectonic plates shifting about 1/2" or 1.3 cm. That shift not only holds the shape to the paper, but it is also a fold and the pivot. So you could use a half of a heart shape on one side, slide it down, and use the reflected shape on the other side.
Chehie's. Mylar stencil: upper right |
Attach the long folded strips at the back with linen tape. Add a tri-fold soft cover or wrap boards and add endpapers to finish. We made extra stenciled images and glued one to the front cover to indicate the beginning of the book. The photos are samples of what we did in class. You can see my example at the end of this post, "Invited to Adapt."
Val's |
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