Wood type was spread out across the tables, Amos began picking out letters for the word "JUSTICE," and the maestro began. He spoke his thoughts as he moved from letter to letter, and I realized we were fortunate to be watching his process.
He arranged the type on a piece of the chipboard, then transferred it to the press. He said he had wooden boards in his shop that were the sizes of the paper he prints on so he can compose right on the wood. It was all hands on; no drawings, sketches, or notes. He locked up the form on the press bed, explaining every step. Can you print on an angle? You can, he said, "You can also open a Coke can with a banana."
One of the posters would be printed in red, then smaller type would be printed in transparent with a little black that you wouldn't see at first, but then would see up close. Grad student Carolina suggested "Just Justice," which he liked very much.
He pointed out that the letter U was added to the alphabet later, so he was interested in using a V in its place, like it was used historically.
His intuitive way of working was more like the process of a painter: a little of this; larger over here; more color on this part. It's very satisfying to have all the presses inked up as available tools. It's a very physical process. Students began asking if there were other times they could come in and print.
I have never before seen the shop so energized and active.
This was where I left things at 12:30pm. RISE UP WITH TAP | JUSTICE JUSTICE JUST JUSTICE | JOIN THE FIGHT FOR HUMANITY. The shop activity would go on until late afternoon.
Thank You, Amos, for inspiring our students and for inspiring me!
See his website at Kennedy Prints.
Addendum 2/8/17: I was able to see more of the finished prints before they were delivered to the organization.
*answer: take a class or sign up for advisory units with a professor. CCA Students, see studio access policy.