The pattern was calling to me again. I originally created a stencil that was inspired by a Royal Display Cloth (ndop) from Cameroon that I saw at The Met in New York in 2018, and I wanted to work with it again. I had used it previously in the 2019 quilt, Everything Is Temporary, and included pieces in the 2020 quilt, Backbone and in 2021, in Keys.
With metallic gold and tan fabric paint, I stenciled onto linen and onto some hand-dyed cotton. After stenciling nine pieces, I thought the quilt would be a ninepatch, but instead I disrupted it, and the word, "Legacy" came to mind. The quilt became a meditation on what we leave behind when our bodies are not longer present on earth. Is it what we have, who we are, or what we do? Teachers, artists, and others leave their legacy, many, perhaps most, without ever knowing how they inspired those they met.
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