Some quilts start with a plan. Some start with a vague idea. Some start with a kind of impulse but no plan. This quilt was the latter. I had spent an evening studying a book of works by artist Hannelore Baron, intrigued by the aesthetic, and then fixated on a tiny image in one of her painted and printed assemblages. It was egg-shaped and looked like it had been printed from threads wrapped around an object. My quilt then followed my interest and exploration of printing with a Gelli plate from discarded threads from my thread cup. I wrote about this process in 2015 (!), almost exactly ten years ago to date, here.
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33.5"w x 24"h (84 cm x 61 cm)
Linen, cotton; monotypes; raw-edge appliqué; hand and machine quilted
This time I used Golden (no relation) Open Acrylics and printed on cotton and linen scraps.
I was going to cut up some black scraps to print on, but when I lay them on my ironing board to smooth them out I liked the shapes too much as they were.
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